The book looks for its necessity, not in depicting models for linear problem-solving within a work, but in creating interfering moments of paradoxical thinking beyond the work. It adopts a strategy of simultaneity that looks for small diversionary tactics as a permanent, fragile mode of production and distribution. In this way, the publication likes to step away from binary thinking into the ambiguous, the superimposed and the paradoxical.

Here, the artworks are demarcations not only of what needs to be done differently, but also of what can be done simultaneously. To be indirectly involved as in Fan Fiction, to be engaged alongside something else is an entry point disguised as an exit. On this intersection, it questions how to organize oneself as an artist as he looks for unsound methods and indirect approaches. This book aims to include a set of intangible aspects of artistic production and distribution and deploy these as critical and aesthetic moments.īorrowing from Fan Fiction, as a divergent field that relies on self-organization, it wants to look at an artwork’s operational levels for its social, economical, political and artistic capacity. Book, digital file, pdf, 234 pages, color / 10,8 MB

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